Joslyn is the author of Nocturne In Ashesa thriller pitting concert pianist Riley Forte against a deadly volcano and a dedicated killer of the human variety. Joslyn loves traveling, teaching, and playing the piano. What exact words should he use? What specific actions should she take to accomplish her scene goal?
It took me three days to read those pages — very fast reading for me — and the whole experience felt a little something like this passage from the book: In the presence of real tragedy you feel neither pain nor joy nor hatred, only a sense of enormous space and time suspended, the great doors open to black eternity, the rising across the terrible field of that last enormous, unanswerable question.
It was a haunting novel about great and terrible events, about clashing armies and clashing ideals, about the tension between the past and the future.
Afterwards I spent days trying to figure out how a narrative which relies so heavily upon action could end up ringing such meditative and philosophical notes. SKIP the action Some of the most effective writing about physical conflict whether it involves some major battle, or a duel outside a saloon, or a scuffle in the playground after school actually SKIPS the action scene entirely.
With this approach, you give the reader the intimacies of what happens just before and just after. Then, of course, the aftermath: When you skip the action scene, you get to retell it in a more complex way later on. You can come to the events after-the-fact with all the emotional, ideological, or philosophical implications clinging to the present like barnacles.
Another benefit to this evasive maneuver skipping the action scene is that you can prolong a sense of mystery. So you might not find out exactly what happened to Character X until you read another four or five chapters, though the suspense grows as rumors, news, or alternate accounts are shared about Character X in those subsequent chapters.
If Character X is in the middle of a fight to the death, that scene should probably have a flurry of fists, bayonets, arms, pounding hearts, choked breath, spilt blood, wide eyes, the feeling of a rock slamming into the back of the head, etc. Many authors make this mistake, and it always strikes me as somewhat unbelievable.
But otherwise, keep us in the body.
If we feel connected to a character and know what they stand to gain or lose, even an average description of an action scene can take on added dimensions. This is particularly true in cases where the reader already knows the outcome. Many fiction stories these days begin at the ending, jump back in time, and then work their way towards the conclusion.
If the end is certain, then the meat of the story is in WHY that ending is important. In the case of The Killer Angels, the outcome was set in stone. How do you write action scenes?
What are your tricks? Let me know in the comments section below. For more tips on writing, book promotion strategies, and independent publishing, download our FREE guides: About Chris Robley Chris Robley has written posts in this blog.
Chris Robley is an award-winning poet, songwriter, performer, and music producer who now lives in Portland, Maine after more than a decade in Portland, Oregon.More Examples of Scene, Half-Scene, Summary (Chapter 5 Extra) To review, some definitions. Scene: A scene usually dramatizes an interaction between characters, but almost always dramatizes at least one character in the moment, even if the events are part of a flashback.
This is the most comment “unit” or way in which the elements of a . How to Write a Scary Story: 3 Keys for Frightful Scenes. Write a scary scene where your protagonist is in a terrifying and dangerous situation.
Remember to focus on the details your protagonist would notice, keeping the scene entirely in their point of view. The setting for a one act play will be one scene, but you have to still develop the scene so the audience sees everything about the story line.
Include as many of . How to Write a Scene Using My 8-Step Process. Progressive steps to help you write that perfect scene: 1. Identify Its Purpose. Here’s where too many writers flounder. You’ve likely heard that a scene should either advance the plot, reveal character, or both. Good advice but vague.
You want strong pacing, showing rather than telling, and to. Remember to give the one act play the necessary plot, action and characters to make it a complete story. Research other one act plays to get ideas and inspiration for yours.
Develop the action first, then compose the dialog before you decide anything else. Keep the plot simple for a one act play and it should move consistently throughout the play.
Nov 07, · How to Write a Radio Play. Radio still captivates many listeners around the world and is a great medium for a play.
Many years ago, listening to the radio was the main source of entertainment until television came along.
While we have a 89%().